The renowned actress Céline is hired by the famous director Milan Zodowski to act in Saint-Pierre et Miquelon in a film she knows next to nothing about. When she arrives, she finds that the team consists only of a sound engineer and a recording supervisor; Milan has locked himself in a hut for “creative” work, which he does not want to leave. Will the great director and champion of “cinéma verité” actually shoot a film with Céline, or has he lured her to the archipelago for a different reason?

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Returning from the army, Pierre starts working for the police. Before joining the army, he loved his neighbor Tina, who moved to another city. One day a house is being broken into and Pierre is wounded by criminals.

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This is edited from the amalgam VHS tape uploaded by Darkness some time ago. It seems like a different version of “Une journée d'Andrei Arsenevitch” or a rough draft of it; there is no voice over, but there are title boards at the beginning and end of the film.

Dick Vernon (Montagu Love) lives in New York but hasn't succumbed to the city's vices. When his vacation comes up, he goes to Boonsburg to visit his uncle (George Bunny) and aunts (Emily Fitzroy and Annie Laurie Spence). He finds small-town life far more wicked than living in the big city. A theatrical troupe comes to town, and Dick finds his match in chorus girl Mazie Chateaux (Helen Weir). Dick's uncle inherits a huge sum of money and insists that his nephew take him to New York and entertain him. Dick, knowing what his uncle expects, takes him through a number of wild adventures, but he is happy to put all that behind him and settle down with Mazie. (Janiss Garza)

For Peter and the Wolf, premiered in 1936, Prokofiev chose the form of a symphonic tale, featuring a narrator alongside the orchestra. A unique work in which each instrument embodies a character. Renaud Capuçon conducts the Orchestre de Chambre de Lausanne, while Jean Reno takes on the role of narrator.

Lightning streaks through the skies as Dalila declares her love to Samson in one of the finest arias of romantic opera. “My heart awakens to your voice like a flower to the kiss of dawn.” An enchanting yet treacherous beauty… When the thunder at last rumbles, Dalila betrays Samson and offers him up to his enemies: “Come up, for this time he has shown me all his heart”, she whispers to them in the night (The Old Testament, Book of Judges). Based on a violent and erotic biblical story, Saint-Saëns’s opera – composed in 1877, much to Liszt’s insistence – would not be performed at the Palais Garnier until fifteen years later. This first Parisian performance in 1892 included the hitherto unperformed “Dance Of The Priestesses”. Nevertheless, it became one of the most performed French operas in the world, together with Faust and Carmen. Conducted by Philippe Jordan, this new production brings back a repertoire masterpiece that has not been performed at the Paris Opera for twenty-five years.

In this live recording for 2009, Saint-Saëns' Samson et Dalila - a story of doomed love set against the backdrop of cultural conflict between Hebrews and Philistines - is reinterpreted to relate with the conflicts in today's Middle East. "In our approach to this opera we tried to move away fromthe quasi-biblical interpretation, and to place the story in a contemporary context to explain its political meaning in today's world," say the two directors, Israeli Omri Nitzan and Palestinian Amir Nizar Zuabi. In this production by Vlaamse Opera, the dramatic story of Saint-Saëns' greatest opera is unfolded in all its tragic beauty.

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